Tuesday, June 19, 2012

Boardsm System

Uploading

Unfortunately the drag and drop feature that is used in the Microsoft Silverlight cant be made. With JavaScript I had to make an extra page for uploading. Visitors would be able to upload images from their hard drive or from the internet, or they could write notes on the boards. Visitors would also be able to chose which notice board they post to.



The Notice Board


The online notice board is interactive and playful. Visitors would be able to move the post around just like the original board.

New Board System

There are difficulties with the current board system using Microsoft Silverlight. I am only able to create one working board. I tried to create one board for each webpage but when I post an image to one board it will appear on the other boards as well.

With no solution I am trying to remake the notice board system with JavaScript.

Monday, June 18, 2012

In Auckland Art Gallery


In the Auckland Art Gallery I found this interesting wall. It features 3 square box and there are notes on each of what the visitors saw, thought and loved in the gallery. It has a similar concept to Derek Eland's Diary Room.

Interactive Board

I was testing using Microsoft Silverlight to create the board system. Silverlight is an application framework for writing and running rich Internet applications, with features and purposes similar to those of Adobe Flash. 


I have a working prototype of a board with an interactive drag and drop feature. Users would be able to drag pictures from a local hard drive and position them anywhere on the board. This feature is really great since it mimics the action of putting a note/picture on an actual notice board.



New Design Concept


This design will mainly focus on the board. There are links for for a region of Auckland and each of the region will have an independent interactive board.
The original idea was to be able to search and discover communities of people that share the same interest or something you are passionate about; culture, interest, social to sport – in your local area.
I am dropping the idea to collect the database of communities in Auckland to focus on the idea of the notice board more.
The simple design is to make the site like a blank canvas and the posts for the public will colour the whole site.

Human Centred Design - Liz Sanders


A human-centered design revolution is taking place. Consumerism is no longer enough. The everyday people we serve through design are becoming proactive in their demand for creative ways of living. New design spaces are emerging in response to people’s needs for creativity. The role of designers will change significantly in the near future.

http://www.maketools.com/articles-papers/ScaffoldsforBuildingEverydayCreativity_Sanders_06.pdf

Relational Aesthetics

The standard cliché summary of modern (and contemporary) art is that now, anything is art. Jackson Pollock threw paint around. Duchamp strung up a shovel, upended a bike wheel into a stool, put a urinal on a pedestal, and called the resulting three “sculptures” art of the highest order. After so long, we’ve started to run out of things to suddenly deem “art.” But relational aesthetics, or the posing of an artist-constructed social experiences as art making, is the latest step in this process of turning everything into art.

Art critic, curator, and historian Nicolas Bourriaud coined the term “relational aesthetics” in his 1998 book of the same name. He’s pretty much inseparable from the concept itself, so chances are you’ll see his name attached (or quoted) wherever you see relational aesthetics pop up. In the book, he defines the term as:

"A set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."

That is to say that relational aesthetics projects tend to break with the traditional physical and social space of the art gallery and the sequestered artist studio or atelier. Relational aesthetics takes as its subject the entirety of life as it is lived, or the dynamic social environment, rather than attempting mimetic representation of object removed from daily life, as would be the case in a Dutch Baroque still life, for example.

In even simpler terms, the goal of most relational aesthetics art is to create a social circumstance; the viewer experience of the constructed social environment becomes the art. The task of the artist is to become a conduit for this social experience. To that end, artists often create a physical space to be used for a particular (often ephemeral) social event. What is this “social event,” Well, almost anything could constitute a relational aesthetics event: a communal meal, a discussion, even sitting around.

http://place.unm.edu/service_relational_art.html
http://en.wikipedia.org/wiki/Relational_art